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Review: Negativland's Ipidessp

by Kiefer

"Hopefully, uh, what you're compiling is going to be, a, uh, positive, uh, reflection of what Pepsi's all about, and the makers of their advertising, so I think it's fair to say, if that's all the case, uh yeah, this is part of the, uh, marketing spin of Pepsi-Cola." - "The Smile You Can't Hide"

Negativland, the San Francisco based group previously known for getting sued by U2 and for playing mind games with the media, have taken on a new target with their latest release Pissidpe: the "Cola Wars". Released late last year, Issidepp is 43 minutes of media collage making a point about the absurdity of the continual, constant advertising of Pepsi and Coke. (For those wondering why the name of the CD is changing every time I write it, it's because trademark law made the group unable to put the actual title of the CD on the package, so instead anagrams of the title are used throughout. Calling a phone number given in the booklet would inform those not so proficient at word puzzles that the "correct" name is DisPepsi.) While this was a difficult release to find (I went to about 10 stores before I finally found it at Criminal Records), I truly believe that the hunt was worth the prize.

For those unfamiliar with Negativland, a brief description of their style is in order. Negativland (www.negativland.com) is a "music" group who have been using a cut-and-paste technique for their art for over 17 years, on both their weekly radio show "Over the Edge" on KPFA in Berkley, CA, and their albums. This technique consists of taking hundreds of hours of sound, from home movies/tapes, recordings of themselves, recordings of other artists, television, radio, bootlegs, telephone calls, and anything else imaginable, and combining them into a commentary on all of the above.

Believe it or not, this method can result in a melodic piece, as illustrated many times on this new CD. While many previous efforts have been attacked by several critics for having no harmonic focus, and coming off as pure noise, Issidepp is definitely a marking point of the growth of Negativland as a musical force, where not only the "straight songs" have a clear melody, but so do the media barrages.

As stated above, Pisideps is a look at the foolishness that is the advertising schemes for Coke and Pepsi. As suggested by One World Advertising, a group which monitors advertising strategies that helped with the production of this recording, both of the colas are so well known across the world by now, future advertising is beyond pointless. While we might like watching the Coke bears, or trying to figure out how the heck the Spice Girls are supposed to make us want to be part of Generation Next, they really aren't effecting market share anymore. Idseppsi looks back upon the golden age of the Cola Wars, and reminds us what a silly, silly trip it's been.

With tracks like "Why Is This Commercial?" and "A Most Successful Formula" reflecting on the oddness of having celebrities hawk products (with everyone from Ricardo Montalban to Michael J. Fox to Vanna White to William Christopher (from M*A*S*H and afterM*A*S*H) making guest appearances), "Happy Hero" singing on the cult of celebrity (and someone who seems to bear a striking resemblance to Michael Jackson), Negativland is able to slowly weave together a longer narrative about not only advertising, but our society's obsession with fame. And "All She Called About", "I Believe It's L", and "Humanitarian Effort" remind us of Coke's darkest hour, New Coke. Finally, we get a disturbing look into the minds of the advertising executives' minds with "Aluminum or Glass:The Memo."

After all is said and done, you might not be dancing to most of the CD (not that you couldn't, but it just would seem right), but you will find yourself playing it over again, not only to hear what you missed the first time, but also to hear what you didn't miss again. And you will find yourself singing "Drink It Up" to yourself the next time you're in the soft drink aisle at Publix.

"I did not know this when I paid Eleanor Roosevelt $35,000 to make a commercial for margarine. She reported that her mail was equally divided: "One half was sad because I had damaged my reputation; the other half was happy, because I had damaged my reputation.'" - "A Most Successful Formula"



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