Bands on the Live at WREK CD
William Carlos Williams
Relatively new members of the thriving Atlanta free-jazz scene,
William Carlos Williams also borrows elements from Rock and Roll,
namely harder edged electric guitars and driving drum beats. Add to that
guitar and horn work with a high energy experimental feel, and blend with
the frenetic saxophone explosions and cymbal crashing typical of today's
free-jazz, and you get this composition, "Salt Pilla."
Estrada
As the name "Tumor Song" might suggest, this hard edged, metal
influenced piece drives with an insatiable beat, and an alternating
distortion laden, then repetitively melodic guitar centerpiece.
But it's the heralding lyric style of the vocals which superimpose a
strange beauty upon the whole rockin' song.
Charlie Parker
"The Bird you've never heard!" likes to proclaim this Atlanta experimental
ensemble. Sonically evocative of its title, in "the body in pain"
Charlie Parker mixes live wind and percussion playing with electronics,
together weaving an intricate and challenging musical texture.
Voice Crack
"Speed up" is a free improvisation by the veteran Swiss duo Andy Guhl
and Norbert Moslang, using cracked everyday electronics in a nine
minute long composition of sweeping and at times very complex composition
of completely electronic music.
Flap
In "Styromania," Atlanta's acoustic pop kings engage in some creative
acoustic guitar interplay reminiscent of earlier folk tradition,
flawlessly executing an upbeat and skillfully coordinated masterpiece.
Roy Dunn
This beautiful blues ballad, "Vacation in Heaven" was dedicated to Dunn's
close friend and bluesman Piano Red, who had passed away the same day.
Thus this song is emotionally charged, but especially poignant now given
that this local Atlanta blues legend himself passed away just
two years later.
Zen Pusher Gasoline
This local Atlanta experimental / industrial outfit blends a breathtaking
weave of prerecorded electronic sounds and manipulates them live
digitally. "Sift" uses a metallic percussion line and overlays first
waves of tonal noise, and then higher pitched chime-like melodies, only
to finally dissipate into a windswept calm.
Man... Or Astroman?
These Alabama transplants now call Atlanta their home, and have almost
single-handedly defined the genre of "space-rock" using elements of
surf-rock and quips from old sci-fi features, not to mention flaming
television sets as headgear during live performances! The song "24 hrs."
is an old school instrumental guitar and drum overture that insinuates the
frenzy of an outlaw's last day alive.
Shaking Ray Levis
This legendary Tennessee band is so influential that they even have a
society named in their honor that promotes improvisational and
creative music in the Chattanooga area. The tune "1988 Song" begins with
a little southern-style spoken word philosophizing, and then launches
into a at times sparse, free jazz improvisation a la mucho drum rolls
and horn work. As they themselves put it, "All I got to say is, we
didn't have music like this when I was a boy!"
Universal Congress of...
This Los Angeles band has been recording and touring the independent music
scene with their "mecolodic" philosophy of improvised jazz music since
the mid-1980's. Here they interpret the song "Hightime," originally
written by the legendary guitarist James "Blood" Ulmer, with
considerable swing in the drums beneath the bubbly guitar and
saxophone riffs.
Minutemen
Revered as a seminal California band that fused genres as diverse as
country, jazz, punk and classic rock, their set at WREK was performed
in between opening slots for REM at the Fox Theatre. Unfortunately,
this show was to be their last full length performance, as vocalist /
guitarist D Boon was tragically killed in an automobile accident less
than a month later. While some of the WREK set was released on the album
Ballot Result, "Political Nightmlare" was not on that album and is
released in this form for the first time.
The Forty Two
Simply described as indie-rock with some experimental tendencies,
"Peripheral Hearing Aid" is full of energy and marked by both guitar
and vocal interplay, ending in a fierce adrenaline releasing slam.
Soheil Zoolfonoon & Neil Murgai
This duo performs traditional Persian music, on the setar
(a 4 stringed lute) and daf (an oversized frame drum). The poetry from
the song "Saqi," translated as "Spiritual Wine," was written by the
12th century poet and mystic, Saadi, and is sung here in the original
Farsi language.
Wheeljack
A noisier flavor of rock and roll, with much bravado from the
guitar section, "Kultur Kampf" releases anti-social angst in a
groove you can tap your toes to. Perhaps we can all identify with
the repeated phrase, "your static, so tragic."
Sun Ra
From one of the fathers of improvisational jazz, hear his fascinating
perspectives on the nature of music, musical talent, and his seminal
tour of Egypt and her ancient pyramids.
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